Carolyn Bernstein is an artist who deals with notions of transience and transformation through the sustained examination of everyday things that we often overlook, discard, or choose not to talk about. Her work points to what can be seen and understood behind, beside, through, or in addition to that which is intended to hold our attention or frame our point of view. She reveals her subjects in a range of genres, including installation, sculpture, and photography.
In her large-scale installation, "Yew Tree Project" (2006-10), Bernstein integrates science and metaphor with a focus on the contemporary visual culture of medical imaging technologies. In this project, she explores the complexity of networks and interdependencies among private and public institutions and individuals involved in the development of a cancer drug derived from bark of the poisonous yew tree. The International Museum of Surgical Science, Chicago, will present Bernstein's "Yew Tree Project" in a solo exhibition opening June 4, 2010. In 2009 the work was featured both in exhibitions (including Confrontation/Contemplation, Aurora University, Illinois) and publication, with a series of related drawings in "Whitewalls: A Journal of Language and Art" (The University of Chicago Press, 2009). Bernstein's photographic work, from the series, "Reframing Experience (at documenta 12)" was published in "Learning Mind: Experience into Art," edited by Mary Jane Jacob and Jacquelynn Baas (Berkeley: University of California Press, 2009).
Bernstein is recipient of a Mid-Atlantic Arts Foundation Creative Fellowship Award, participated in an artist residency at the Womens Studio Workshop in New York, and has exhibited in Baltimore, Washington, D.C., and Chicago, where she now lives. Bernstein earned an MFA from the School of the Art Institute of Chicago in 2008.